Symphony of a big city: Manhattan's legs rush to work, to breaks, to leisure activities, to church – or run marathons. Thomas Struck's camera follows them at foot level. Each foot has its own rhythm, which clarinetist Don Byron transforms into jazz. But sometimes a step goes too far. Sex magazine editor Dian Hanson explains how and why. Made before 9/11, the film is a reencounter with a light-footed, tireless city.